Promises (As The Years Go By)

Posted on 30th January 2011

On the 14th November 1985 I went along to The Marquee on Wardor Street in London to see the first gig by IQ with their new singer. I had been there 4 months earlier to witness Peter's last gig (at the time) with the band, so like everyone else was keen to see what the future held for the band.

Having got to know the band and crew very well, I got there early and was fortunate enough to be in the club helping Lol focus the lamps when Paul Menel appeared. Doubtless all the introductions washed over Paul, but he and the fans got to know each other well over subsequent years. After 2 successful albums,  and bigger success in Europe for IQ, in 1989 Paul decided to move on. After an initial release of 'Freedom', also featuring Tim Esau, things went quite for several years.

Then in 2010 after some chance meetings, Paul started to pull together a new band, and started writing songs that would be recorded for his forthcoming album, Three Sides To Every Story. With John Jowitt and Steve Harris, both recently of arK fame, recruited into the band, they began rehearsals for a short mini tour.

The first gig at The Peel in Kingston upon Thames, took place on 29th January 2011. It was a great night and it was worth the wait to see Paul back on form again. Playing songs from his time with IQ, as well as several new songs, the band were having a great time, as were the audience. Playing for just under 2 hours, the fans were treated to some classic performances, including two versions of Sold On You, after the backing track in Promises played up in the encore. Surprise of the night was the rare performance of Colourflow, complete with a Dancing In The Dark moment of picking the girl from the audience to sing the duet with Paul.

The new songs fit well with the old songs, and several are a natural progression from the days of IQ. Personal favourite of the night, and on the album too, was Little Gorgeous Fool. Don't miss the band live if they're playing near you.

For more my photos of the gig: Paul Menel @ The Peel 29th Jan 2011

File Under: ark / gigs / iq / menel
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The Funeral Party

Posted on 28th January 2011

There is something fascinating about graveyards. Rather than being creepy or eerie, I find them quite peaceful. It can be interesting reading the headstones to see how long ago people were buried and some of the dedications.

Recently Dan and I visited the Warstone Lane Cemetery in the Jewellery Quarter, and previously we've visited John Bonham's grave near Droitwich and Ian Curtis' remembrance stone in Macclesfield Cemetery. I've always wanted to visit Highgate Cemetery in London and Père Lachaise Cemetery in Paris too. I'll confess that its partly to see where famous names are buried, but I'm also intrigued to see some of the not so famous gravestones, tombs and memorials too.

While attending a funeral several years ago in Cheltenham, I happened to be looking at the headstones as we walked along the path to the crematorium. One stopped me in my tracks as I wasn't quite sure whether I was seeing the resting place of the person I thought it was. The headstone was for Brian Jones and the dates on the headstone did seem to match.

For those who are music fans of the 60s, you will probably remember that Brian Jones was once the guitarist in The Rolling Stones, who died in 1969. My later investigations revealed that the grave was indeed the final resting place for the Stones guitarist.

It's surprising what little parts of history you can discover wandering through a graveyard.

File Under: life / people / sightseeing
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Empty Spaces

Posted on 19th January 2011

Over the last year or so, my blogging has been a bit haphazard. There are a number of reasons for this, but mostly it has been down to me not having the time to sit and write about what I've been up to. So to rectify that, I'm going to try and post at least once a week about a project I'm working on, or find time to work through an album of photos that I have been amassing and not sorting through for the past 4 or 5 years, and upload them on a more frequent basis.

I have several coding projects currently on the go, several of which are now interconnected by one major project, Labyrinth, of which I'm slowly working through, getting them packaged and released. Releasing Labyrinth has been a long term goal and much of 2010 was spent pulling all the sites that use it together to filter all the fixes into a single codebase. Its been 8 years in the making and was quite a relief to finally make the first Open Source release of the code on 1st January 2011.

Another project that has been put to one side for the moment is my book. As I've mentioned previously I've been writing a book about how to organise a YAPC Conference. That will make it onto GitHub soon, so others can contribute, but I want to work through the feedback I've had so far to update it enough to prepare another draft.

My music life sprang back into action last year with the reformation of Ark or arK as they are now known. I overhauled the Ark Appreciation Pages I created back in 1998, and now have a backlog of photos, videos and reviews from the last few months to get through. It has been incredible to work with the guys again, and having got back in touch with IQ and Paul Menel, thanks to John Jowitt, it also been great to catch up with many old friends.

My family life has also been quite eventful, for all sorts of reasons, though I'll save a couple of the events for future blog posts, so I don't use up all my post in one :)

2011 is currently looking busy, but hopefully I shall keep to my promise and at least blog about it as I go. We shall see!

File Under: life
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A Letter to Elise

Posted on 28th September 2010

The Jewellery Quarter has always held a lot of history within its streets and buildings, but having worked around the area for a few years, I completely missed some of that history. Although I knew of Warstone Lane Cemetery, The Agent Centre, The Chamerlain Clock and of the older buildings, I'd never really looked up their history. Last week I discovered that Birmingham had catacombs, and they had been right under my nose in Warstone Cemetery all this time. As such, I thought it might be interesting to take some time to look up some more history of the area.

After only a few minutes, I decided that Dan and I should take a photo tour of The Jewellery Quarter, and pick out some highlights. Our first stop was at Northwood Street, which was once home to tw2, the web design company I started working at in 1999. We then went around the corner into Regent Place, along to the building now occupied by D&F. From 1777-1790 there stood a large house where James Watt once lived. Not only did he live here, but in partnership with Matthew Boulton, he also worked here too, and produce many of his most famous inventions here. Around the corner is the school that is now part of Birmingham University, but still today concentrates on teaching pupils the art of sliversmith and jewellery making.

Although many of the factories have been replaced over the years, many still hold the history of the trades of a bygone era. One such trade was the making of pen nibs for fountain pens. Birmingham's Jewellery Quarter was once the highest producer of pen nibs in the world, and its decline only came more recently, due to the mass production of László Bíró's invention by Bic. However, The Pen Room in the Argent Centre still exists to preserve the history. As you enter, you walk into a room instantly full of history. Around the walls on the left are various packages and pens, with the centre given way to cases of exhibits. On the right are some of the old machines used to make the pen nibs. On a quiet day the staff are more than happy to give you a demostration, although they can only perform 5 steps of the process, as the other 12 require machines too large to fit in the room, as well as time to perform them. Dan got to punch out the metal and stamp it to begin the process, and got to keep the results. He was quite impressed to realise that all those years ago, children the same age as himself were producing all these nibs. Of the stamping process 28,000 per worker were cut from the sheet metal.

Next we were shown some of the braille machines that were also produced in Birmingham, with Dan getting to spell his name in braille on the ticker type machines. After the demonstrations, we were lead into the second room, full of typewriters, pen nibs and other exhibits, with the opportunity to try some of the typewriters, as well as try writing with some of the pens. A member of staff took out an old German typewriter that was very unique as the characters were all on a single barrel, and the letters chosen via a metal pointer attached to the barrel, and pointing at the letters on a curved pad. A very unusual typewriter, and I should have taken a photo, as I can't find anything like it online. Looking at some of the other exhibits, it is surprising to discover just how much an impact the pen industry had on Birmingham (as well as the world), with many pioneers having been since commorated with street names, mounments and buildings. Josiah Mason, John Baskerville and Joseph Gillott to name a few.

Across from The Pen Room was Joseph Gillott's Victoria Works, and is one of a few factories that can still be seen, the Argent Centre itself (previously the Albert Works) being one too. Incidentally the Argent Centre at one point was also a Turkish Baths. Another bit of history I discovered, is that the stories of 'Rip Van Winkle' and 'The Legend Of Sleepy Hollow' were actually written in a house, whose grounds covered the corner of Legge Lane and Frederick Street. The house survived even after the Argent Centre was built in front of it, to occupy the corner itself. Further up Frederick Street is the factory of Thomas Fattorini Ltd, who moved to Birmingham from Italy, via Skipton, and was renowned for making medals and badges. I used to walk past these buildings every day when I worked at The Big Peg, and although I often took the time to take in the grand designs of the buildings, I really wished I'd taken more interest at the time. I'd have probably spent most lunchtimes walking around with a camera :)

We then entered the central part of the Jewellery Quarter, by the Chamberlain Clock and Aquinas House. From here we walked across the road to the Warstone Lane Cemetery Lodge, and to The War Stone. The former is not something I'd really paid attention to before, and the latter I never knew was there. From here we walked into the cemetery. In the central part of the cemetery are the catacombs. Above them originally stood St Michael's Church, which has long since gone. From images and drawings the cemetery was meant to be viewed from the Icknield Street entrance, with the catacombs appearing to be leading into the church. However, the abundance of trees these days hides a large part of this viw now. The catacombs were once used from protection in WWII, but have now all been boarded up, although some had already been closed with upright headstones. A link to our visit to The Pen Room is John Baskerville who is buried here. Although I didn't find his gravestone, there is a sort of memorial to him.

As we were planning to spend all day wandering around, we walked back and drove around some of the other places, such as Icknield Street School. Next time we'll take some time to visit the Key Hill Cemetery, which is just the otherside of the train station, and holds many famous Birmingham history makers, including Alfred Bird the inventory of egg-free custard, of which the Custard Factory is named (and perhaps another tour some day). Another place we'll visit is the Jewellery Museum at the top end of Vyse Street, as well as taking in more of the buildings in and around St Paul's Square, including The Assay Office, the biggest in the world.

One of Dan's fascinations of the day was the BT Tower. So as we headed back home, I stopped at the base so he could take a picture. Opposite we discovered the building that is St John's Ambulance Headquarters, which I've probably walked past several hundred times and never really noticed. Just goes to show what you can be missing when just walking through the streets of the town where you live.

It was a great dayout, and a good reminder that discovering history is only a short step away from your own doorstep. And it doesn't need to cost a fortune either.

If you're interested in the area, and perhaps doing a similar walking tour, I thoroughly recommend reading The Walk by Bob Miles, as well as the additional material Bob has assembled over the years. I wished I'd read more of it before setting out on our trip, and I'll definitely be using it for the bits we missed when we visit the area next time.

File Under: birmingham / museum / photography / sightseeing / structures / walks
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Church Of Noise

Posted on 15th September 2010

So the Pope is coming to Birmingham this Sunday, much to the annoyance and irritation of many local residents as well many nationally. He'll be giving a mass in Cofton Park, which is a short walk from where I live. Being so close, the local council has classed us in a restricted area. As a consequence this weekend we'll be prisoners in our own home unless we can prove where we live. We are not allowed visitors, unless we visit them first and give them proof that they are coming to see us.

The restricted area covers quite a large area of Rubery, Rednal, Cofton and Longbridge, and many local businesses are going to suffer. The 2 big pubs, The Old Hare And Hounds and The Oak, the Lai Ling Thai restaurant and the Old Rose And Crown hotel will all being affected, as people travel from outside the area to frequent them on a weekend. I suspect they will either be closed all weekend, or they'll be defiant and local residents will all go out to make a point.

From 6pm on Saturday until 8pm on Sunday we have been told expect severe disruption as roads are closed around the park and restricted access is put in place. Coaches carrying 70,000 people will then descend on Cofton Park from early Sunday morning at around 3am until the mass at 10am. Where these several thousand coaches are going to park is anyone's guess. The mass itself will be heard around the local area thanks to a very large PA system that is being erected. I wonder how many lawsuits local residents will be filing against the Catholic Church if even a whisper is heard through it before 8am on Sunday morning. Technically the pope could even be served with an ASBO.

Cofton Park itself was closed off for public use from last weekend, and won't opened again until a week after the visit. It's supposed to be a public park, and it's being closed for 3 weeks. So much for William Walter Hinde's will bequeathing the park "to be kept for ever as an open space for the benefit of the people of Birmingham."

As we're living in a restricted area, if we leave it, even just to go to the high street shops in Rubery or across the Bristol Road to Great Park for an evening out, unless we carry proof of address, we will not be allowed back in. Even if we're on foot! Apparently the area will be (excessively) policed to ensure no one is there that shouldn't be, so I'm assuming that stop and search will be in full effect, with civil liberties through out the window.

On top of all this we have to pay for it. The church are allegedly covering £9m-£10m for the cost of the visit to the UK, while the tax payer is expected to pay over £12m. A large portion of the population are not catholic, and have no interest in his visit, but local residents are told to pay for the privilege. As you might guess many local residents are not impressed. To make matters worse he's a pope that has a huge dark cloud looming over him because of various child abuse scandals he has been involved in covering up. I'm told he's probably the most unliked pope there has ever been.

So why do the non-catholics have to pay anything? As far as I'm concerned, if he wants to come here, the Catholic Church should foot the complete bill. And in addition should pay compensation to the local councils, which should be put towards community projects, that will benefit everyone in the area, not just a select few.

Several months ago a local councillor or MP, appeared on local news saying something along the lines that the visit would benefit local people with jobs and the like. Others make even bolder statements. Not sure how this can benefit local people, as all the ground crew, police and other support staff are being drafted in, and local businesses are going to severely disrupted. Even the trinket and tshirt sellers aren't from the local area.

And speaking of trinket sellers, how is it that the Catholic Church can rake in profits from sales of their cheap tat, and not expect to cover the remaining costs of the visit? Looking at the pictures it really is cheap tat, except being charged out at over inflated prices. Has the Catholic Church plummeted so low as to be nothing more than Del Boy and Rodney Trotter in the guise of official merchandise?

I remember visiting Lourdes in the South of France over 20 years ago. The initial impression that struck me then was how tacky the place was with all the cheap street sellers, and even the official sellers. The grotto site itself was actually quite peaceful, and although I wasn't caught up with the religious overtones, was relieved to find the grotto devoid of merchandise sellers. The town of Lourdes itself was quite nice, and I did enjoy visiting the Château fort de Lourdes by cable car on the outskirts of the town. In many ways it's a shame that the religious nature of the town over shadows other aspects of the town that are just as worthy of a visit.

It's crossed my mind whether after the visit we'll see parts of the turf from Cofton Park ripped up and sold on eBay, with the heading "The Pope stood here!". The Catholic Church has already plummeted the depths, so I wouldn't be surprised.

Just how much inconvenience and disruption can one man cause, particular when only a small minority from the area actually want him there!

I, like others I suspect, will be awkward just for the sake of being awkward this weekend and see how much hassle it causes to prevent me from entering my own home. I'm guessing the police and officials will just get fed up with residents and let them through anyway. We shall see.

File Under: birmingham / brum / coftonpark / life / longbridge
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Living By Numbers

Posted on 13th September 2010

Maisha, now with OAuth support.

A project I started back last year is Maisha, a command line client to interface to social micro-blogging networks, such as Twitter. On 31st August this year, Twitter depreciated the Basic Authention method of allowing applications to login users with a simple username and password combination. In its place they now use OAuth. (See also the blog post by Marc Mims - author of Net-Twitter).

On the face of it, OAuth seemed a bit confusing, and even the documentation is devoid of decent diagrams to explain it properly. Once I did get it, it was surprising to discover just how easy the concept and implementation is. For the most part Marc Mims has implemented all the necessary work within Net-Twitter, so Maisha only needed to add the code to provide the right URL for authorisation, and allow the user to enter the PIN# that then allows the application to use the Twitter API.

The big advantage to OAuth is that you don't need to save your password in plain text for an application. Once you enter the authorisation PIN#, the token is then saved, and reused each time you start up Maisha to access your Twitter feed.

As Identi.ca also implements an Open Source version of Twitter, they have also implemented OAuth in their interface. However, there is a slight modification to Net::Twitter needed, so I will wait for Marc to implement that before releasing the next version of Maisha.

So if you have been using Maisha and have been frustrated that you can no longer access Twitter, you now only need to upgrade to App-Maisha-0.14 and all should work again (once you've entered the PIN# of course).

If you are using Maisha, and have any feedback or wishlist suggestions please let me know.

File Under: life / opensource / perl / technology
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Living In The Past

Posted on 2nd September 2010

For a day out during the summer holidays, Nicole and I looked at places to visit that where children friendly, as well as interesting. I was surprised to discover that The Lunt Roman Fort was somewhere we had passed so often, but had never noticed. Although you can see the A45 from the fort, it isn't as easy to see the fort from the road, due to the trees all around now. All those years ago the fort would have had a very good vantage point across the landscape.

The fort itself is in the village of Baginton, which is south of Coventry City Centre and about a mile north of Coventry Airport (hence why its former name is Baginton Airport). However, the fort's biggest failing is advertising itself via road signs. There were very few, and had I not already seen the map of how to get there online, I could quite easily made a wrong turn. I wonder how many more visitors they might get if only they could direct people, as road signs would also help promote the fort to those who drive along the A45 or A46 fairly often. In all the times I've passed by in the last 20 or so years, I only found out about the place because of the internet! Getting there aside, the place is well worth a visit.

The original fort, being primarily wood based, has long since gone, and the buildings there today have been reconstructed based on the original drawings and layout from the roman times. There are stone and earthworks on the ground, so you can still see where many of the buildings would have been, but The Main Gate, Granary Building and Gyrus have all been careful reconstructed, and give a great impression of what the whole layout of buildings might have looked like. The Granary Building is the central museum full of artifacts, replica outfits and games, together with a 3D model of what the whole fort would have looked like. For the kids they have a little booklet to use to search for things around the site. It's well worth using as your guide, as it gave us a reason to have a closer look at the site.

The Main Gate to the south is the main entrance to the site, and on the approach you can see the ditches either side of you that were dug around the fort. The gate itself has a lookout tower, which unfortunately isn't accessible to the public, but it would provide a commanding view of the area. I wouldn't be surprised to be able to see some of the landmarks of Coventry and even Warwick on a clear day. You can climb up to the initial battlements level, and that still provides a great view, although apart from the airport nothing noteworthy is visible from this height, due to the nearby trees.

Next we headed over to the Gyrus. It's essentially a training area, both for horses and men. The ground is extremely sandy, to avoid injuries from falls. There were stables here, which are now only visible by their foundations. There would have been several hundred men posted here too, centurions and officers. The difference between the two clearly marked by the types of foundations of the buildings they would have lived in. The officers quarters looking rather more grand is space, while the centurions would have lived in long buildings that are probably the same as barracks we know of today.

The site was originally discovered in the 1930s when several pieces of Roman pottery were found. Then in the 1960s further excavations uncovered all the foundations to the various buildings. The buildings were reconstructed in the 1970s, when the site was finally opened tothe public.

Although it is a small site to visit, we spent roughly 90 minutes wandering around, there is a lot to discover and understand about the site. The kids loved dressing up in the replica outfits, as did Nicole, and they also enjoyed playing the ancient games. Dan completed the competition in the booklet and won himself an ancient coin. We had a great time exploring the fort, and would definitely recommend a visit. If you wanted to spend a full day out, then there is also the Midland Air Museum about half a mile down the road. We were hungry and heading for pizza, so we didn't get the chance. Combe Abbey Country Park is also very close by too, so taking an hour or so out to visit The Lunt Roman Fort too, is well worth it.

For the full set of photos, click here.

File Under: castles / photography / sightseeing
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View From A Bridge

Posted on 31st August 2010

When is a bridge not a bridge? Apparently when it's a viaduct. Though having said that, it seems some are more insignificant than others.

About 20 years ago, I was told a fact that didn't seem that far fetched, and every so often I've tried to verify whether it was true. This weekend I found a page on the web that seemed to give a definite answer, except every other web page relating to the question seems to completely ignore this particular structure.

The fact I was told was that at the time the longest bridge in the UK was the M6 over Birmingham. Now having driven over that particular section on several occasions, I was intrigued to find out how long it was. My amateur attempts of measuring the rough distance from Junction 5 (Castle Bromich) to just past Spaghetti Junction (Gravelly Hill), aka Junction 6, found the distance to be just under 4 miles. However, as I was on top of the bridge deck I wasn't able to tell exactly where the bridge begins and ends. Until now I've never seen a reference to the exact distance.

This weekend I came across a page on the Motorway Archive, which states "The section between Gravelly Hill and Castle Bromwich is 3½ miles, which was then the longest continuous viaduct in Great Britain". Okay so it's not classed as a bridge, but a viaduct, although at 3.5 miles it does re-enforce the belief that it was the longest when I was told the fact.

So what is the longest bridge/viaduct in the UK? According to the Wikipedia page for the longest bridges, the longest in the UK is The Second Severn Crossing. However, that is only recorded as 3.2 miles long, and the M6 viaduct over Birmingham isn't mentioned. On answers.com someone else also asked the same question. The answer there states the Humber Estuary Bridge has the longest single span in the UK, but again The Second Severn Crossing is the longest in distance. On Flickr someone else wanted to know the longest viaduct in the UK, and again the M6 viaduct doesn't get a mention, as they only mention rail bridges.

Aside from the links above, I can't find anything that relates specifically to UK bridges, and many of the pages listing longest bridges in the world rarely list more than a small selection. So what is the longest bridge in the UK? I still think it's the M6 over Birmingham, but may be the reason it doesn't get mentioned is that it doesn't appear to have an official name. I'd suggest the Spaghetti Viaduct, seeing as it's one of the strands as part of Spaghetti Junction. If anyone has a definite answer, I'd be delighted to know.

File Under: birmingham / bridges / structures
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Shadowplay

Posted on 30th August 2010

At the end of July, Dan and I went up to Macclesfield in Cheshire to see the Unknown Pleasures exhibition. Although the exhibition was billed as the life/work of Ian Curtis and Joy Division, it mostly centres on exhibits that focus on Joy Division. The exhibition itself was in two parts, firstly archive material surrounding Joy Division, then across the hallway, a collection of artwork inspired by Ian Curtis and Joy Division. The archives are fantastic, and include many items fans would have loved to have sat and read through for hours. The one aspect that was a little disappointing was the lack of photographs, particularly gig photos. The ones on show mostly focused on the two gigs. While they were great to see, it would have been wonderful to have had more on display. Though it did make me wonder whether there were any other photographs. In all the years since, I haven't seen that many more.

Ian died on 18th May 1980, and this exhibition, together with the other events that have taken place, such as the workshops, are all to commemorate 30 years since his death. It seems staggering to think it was 30 years ago, and to realise how much it affected me at the age of 14. Joy Division were always local heroes for me, as I was born 8 miles away from Macclesfield in Congleton, and later moved to nearby Holmes Chapel. Growing up in the aftermath of Punk, the new wave sounds that were centred around Manchester was a source of great inspiration for young teenagers. The fact that Joy Division (or at least 2 of them) were local, only added to their appeal.

As I was with Dan, I couldn't attend the Film Festival that was planned in the afternoon & evening, but it would have been interesting to hear from some of the people behind the band, including Stephen Morris. It's one thing to see the films and get a feeling of the events, but hearing the real experiences of the people involved is quite another. Sadly two additional people who helped to carve the history of the band, Rob Gretton and Tony Wilson, are also no longer with us. I've met both, as well the members of New Order, over the years, and was glad that I was old enough to appreciate those times in the late 70s/early 80s.

After the exhibition Dan & I took in some of the sights of Macclesfield, particularly those relating to Ian and Joy Division. The Exhibition was selling a special map to help guide people to some of the landmarks, which helped to provide a bit more background information, particularly for the rehearsal rooms and gigs they hung out at. The Heritage Centre, also known part of the Silk Museum, is primarily a centre for the town to reflect on it's history of being part of the Silk industry. The Heritage Centre itself used to be an old mill. You can still see evidence of this around the town, and one of the days I may get back again, and photograph some of those sights. However, for this trip we used the map to pinpoint the musical history.

Our first stop was along from The Heritage Centre, towards the town centre, to Duke Street. Krumbles Night Club,which according to the guide was the venue of the first Joy Division gig. However, I had thought this was Pips in Manchester, but maybe it was where Ian and/or Steve first played, rather than Joy Division specifically. It has since changed hands several times, and changed names, and I did wonder whether anyone these days still puts on gigs there, as from the outside it just looks like a regular disco. We walked through the arcade of Dukes Court onto the main street. Although there are other haunts the band once took in nearby, we choose to head off to our next destination.

Next we headed to 77 Barton Street. If you've seen the film Control, the exterior shots of the house, are the actual house, as is the Labor Exchange round the corner, where Ian used to work. It wasn't until I watched Control again recently, that I noticed that they had tried to convey just how close his house was to where he worked. Barely a few minutes door to door walking. That's one of the nice things about being able to come here and see for yourself, you get to see the reality of it, the history of the town. You also get to see the views of The Pennines to the east and north.

I met a guy who had brought his daughter along, as I had done with Dan. It turned out like me he hadn't got to see the band live, though he was 18 when Ian died, I was just 14. We both commented that being 30 years ago, why there wasn't a plaque or something, but I suspect the current owners would rather not have one. I guess they can tolerate fans taking pictures every once in a while, but didn't want to draw too much attention to the house.

We then headed around the corner to the Labour Exhange. Although the building looks to be unchanged, it's no longer a Labour Exchange, and now appears to be a centre to help local businesses. Again if you've seen the film Control, the exterior of the building is used, with the more modern signs replaced with old ones.

Our next location was intended to be the rehearsal rooms the band once used. Unfortunately the location provided on the map is a bit confusing. As such, I think the new school buildings we found next to The Weston pub are more likely to have been the site of the Hall, replacing it in more recent years. We then went to look for the next rehearsal rooms on the map, The Talbot pub. Initially I was looking for a pub, and although we found a couple, they didn't quite fit the location marked in the guide. Pulling over, I read a little more closely and discovered the roundabout we'd kept passing was the original site of the pub. It had been knocked down to make way for one the new roads around the town.

Eventually we headed for the Macclesfield Crematorium. The crematorium itself also has very personal memories for me, as well as being the place where Ian was cremated. My sister Jacqui, as well as Floss, who would have been my Great Aunt had my Nan's brother not died in the war, were both cremated here too. The cemetary and the Garden of Rememberance are both very peaceful places, and even though we saw several fans coming to visit the curbstone, it always felt respectful. It didn't feel sombre either. Those I spoke to had more to say about Ian's life than his death, which is how it should be. I was quite surprised to see most of the fans were actually quite young, most being in their 20s, and two needed their mum and dad to drop them off. It does seem that Joy Division have indeed reached a new audience, one that wasn't even born when Ian died.

On our final journey round the town we took in King's School, where both Ian and Stephen attended, together with The Travellers Rest. The Travellers Rest was another pub that was frequented by music fans and featured gigs. Warsaw asked if they could play here once, but were told they should get a record deal first.

It was a good day out, and nice opportunity to celebrate a life that has touched so many people. Joy Division are one of my most listened to bands over the years, and despite such a small catalogue compared to others, they managed to produce a wealth of great songs. For Ian, Closer was a disaster, and from experience I've seen other bands feel extremely disappointed with the results of a recording immediately after the sessions have finished. However, it's only later that the realisation that you've produced something special becomes apparent.

I've been back to Cheshire regularly since I left, but don't often make it as far as Macclesfield. I'm glad I took Dan with me this time, as aside from giving him a sense of my history, he hopefully has some memories that will bring Joy Division to an even younger audience.

"To the centre of the city where all roads meet, waiting for you"

File Under: art / joydivision / museum / music / sightseeing
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People Get Ready

Posted on 20th August 2010

The Optimum YAPC Attendance

In my recent post about promoting YAPCs, Gabor picked on something regarding the optimum number of attendees. I think he makes a good point that for a conference like a YAPC, 300-400 attendees is a good number to aim for. Anything more and it can become a logistical nightmare for organisers. It also means that the conferences themselves can become a little more impersonal, when a major aim of YAPCs is to bring people together.

With bigger numbers attending, it creates problems for organisers, not only to accommadate the large numbers, but also the cost. Universities have been ideal in the past, as they are usually quiet out of term time, and can usually accommodate several hundred people for little outlay. However, looking for venues that can accommodate thousands, which typically means professional conference venues, needs special effort to cover the costs. Events like FOSDEM are now so well established that large corporate sponsors are willing to donate without much persuasion, but a dedicated language conference would struggle to get the same kind of support.

YAPC::Asia can cope with 500 attendees, but now regularly sells out because they just cannot accommodate any more in the venue they use. In North America and Europe most of the venues can usually cope with around 400 attendees. In Europe we generally see lower attendances due to travel and accommodation costs for personal attendance being too high for some, as we see a larger number of attendees paying for themselves. As a consequence it is unlikely we are going to see a dramatic increase in numbers unless Perl suddenly finds itself being the language of choice for many business, especially corporates.

I have attended large conferences in the past, and while there is a wide choice of talks and more people to meet, it can be a bit overwhelming. You don't always get the chance to talk to all the people you wanted to, and many that you might have common interests with remain unknown to you. At the YAPCs it's a lot easier to talk to everyone, and you also have a better chance of someone pointing out someone else who you really should talk to. Although there are usually a few people I forget to find and say hello to, on the whole I do get to chat to some new attendees, and occasionally they'll come an introduce themselves to me, which is always a bonus. The smaller conferences just seem more sociable, which gives more of a fun element about them, which in turn makes them feel a bit more inclusive.

I think we still have plenty of room to manoeuvre, as I doubt we'll see many 400+ attended YAPCs for NA or Europe, so there is still lots of promoting worth doing. It all has a side effect of promoting YAPCs, Workshops, Hackathons, Perl and the community in general, not just in NA and Europe, but around the world. If people can't attend a YAPC, then we should be trying to encourage them to find a more local Perl Workshop. Both YAPCs and Perl Workshops are a great way to introduce yourself to the community and for the community to bring the best out in you. Another 100 or so attending YAPCs would be fantastic, and I'm sure the Perl Workshops around the world would love to see another 30-50 people attending too.

But as stated previously, promotion is the key. If you don't tell people how great you thought a YAPC or Perl Workshop was, how will others know that they should be attending the next one?

File Under: conference / opensource / people / perl / yapc
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