Memoirs of a Roadie

Twenty Years On

Posted on 3rd January 2008

Ark Appreciation Pages

Sometimes it's easy to think we live in a small world.

Over Christmas I played a few games of Hunters And Gatherers with DanDan. It's a game he really likes and the rest of my games are little too advanced for him at the moment. As a consequence I don't get to play Settlers Of Catan, El Garnde, Rail Baron or Elfenland very much these days. Every now and then I think about going along to a local games club, but never seem to get around to it. On New Year's Day I decided to lookup the Halesowen Boardgamers website again, except it seems I found the old website. I've thought about going along a few times over the last 5 years or so, but with their meetings clashing with Perl or Linux meetings, it's not happened.

As the website I found (the old one as it turned out) hadn't been updated in a while, I felt prompted to check whether the group is still going and sent an email. It seems they do still meet, every Wednesday at the same venue. Then I got a second email from Dave, who helps run the club. He'd had a quick look at my website and was surprised to discover that I had been involved with the band Ark. It turns out he was the original drummer with Damascus, the band that laid the foundations for Ark, and I even had him listed on the website! He tells me he has lots of stories, photos and even some tapes of the early days, so fingers crossed some of them may materialise on the website at some point. If nothing else he says I've definitely got to come along to a club meet :)

Even though Ark ended over 12 years ago, there is still a lot of affection and interest for them. Band members still occasionally drop me a line to let me know what they're doing or help to fill in some of the gaps on the website. Fans often ask if I have various releases available. Every now and then I'll meet someone who has seen them live, usually at Edwards No.8 and will reminisce how much they enjoyed the gig. With Gel still playing locally with Bleeding Hearts and John Jowitt still playing with IQ, there is still plenty to keep the interest going. As such, this year more than ever, I plan to upgrade the Ark site. I have been doing bits in the background for most of last year, but I have so many photos and tapes I really should get a move on and make them available. Who knows may be it'll mean I get to meet a few more band members and fans.

Another music/techie crossover moment happen a few months ago when I was arranging some dates with Leicester LUG to go over as part of the 2008 Birmingham.pm World Tour. Gary who organises the meetings also happened to look at my website and discovered that I was involved with Prolapse. It turns out he knows Turk, and used to work with a few of the guys, and sees them occasionally around Leicester too. It's quite possible we've even met a few times at the gigs. I'll be doing a couple of talks for the LUG this year, so it'll be fun catching up with Gary to see what other stories he has to tell of the band :)

In these instances it isn't really a small world, partly as Haleowen and Leicester aren't that far away, and also that both Ark and Prolapse are fairly recent memories, but it is nice to cross paths with people who remember the gigs and have interesting tales to tell. Plus they were both great bands and are worth remembering. I'm looking forward to meeting up with both Dave and Gary, and hopefully it'll prompt me to sort out the photos and tapes I have of both bands :)

Kings of Evermore

Posted on 17th October 2007

Bleeding Hearts @ The Boarshead Taphouse, Kidderminster

A couple of weekends ago, I went along to The Boarshead Taphouse in Kidderminster to witness the live recording of the new Bleeding Hearts live album. After playing for around 2 hours, and considering it was free entry, I would call that value for money. I told Nicole's brother that I'd got him in on the guest list, which he thought was great until he saw the poster advertising free entry :) The boys played a great selection of old, new and unreleased songs and ripped up a storm. The live album is only likely to feature around 10 songs from the 20+ set, so hopefully they'll be able to include a few classics in there.

As previously, I took my camera along. The first 30 minutes of the set I tried to record on video. Unfortunately several people kept wandering in front of the camera, so although none of the tracks are suitable for professional airing, Nick was thinking of adding one or two to Bleeding Hearts's own website. I now have a new 5"+ tripod, so hopefully I can get a better viewpoint for recording video in the future. I ended up taking over 1,000 photos, which worked out at roughly 16 shots a minute, and whittled it down to 175 for my selection. I've given the boys over 300 to choose from for their own purposes and have already asked whether they can use them on the inner sleeve of the album, which will be nice.

However, the venue wasn't the best for lighting, so I had some problems with some of the shots. I haven't got a top of the range camera, so lighting is important. Despite trying several settings to get the best out of the camera, the shutter speed still isn't fast enough for my liking. There were some great shots I would have liked to have got of Gel and Nick, but the light from the PAR cans was just too weak to capture them mid-movement. The Roadhouse photos came out much better simply because of the professional lighting rig the venue has, so I hope this set doesn't prove too disappointing for them.

A while ago I considered buying a small lighting rig, so that when I take photos of Nicole or her band, Slim Pickins, I can focus the lights and use the colour gels, just as I want them. Then I can bring them along to gigs for friends like Bleeding Hearts, and give them a much better stage lighting, and thus take much better photos. Unfortunately these sort of small rigs don't usually turn up on eBay, so I'll have to put the feelers out to my music industry contacts to see if anyone is selling off some old equipment. They'd be great for house parties for the kids in the summer too. DanDan and Ethne can pretend they're doing a real gig :)

For my selection of photos from the Bleeding Hearts gigs, see the links below:

• 29th Sept 2007 - Boarshead Taphouse, Kidderminster
  
• 21st Apr 2007 - The Roadhouse, Stirchley, Birmingham
  

Achilles Last Stand

Posted on 13th September 2007

So Led Zeppelin are reforming for a special tribute concert for Ahmet Ertegün. Following my rant last week about the ticket prices, I was a little disappointed to see all the tickets would be £125, but seeing as this is a one-off gig and all proceeds are going to support charities in Ahment's name, it is a little different.

I would love to go, but seeing as the gig is on Nicole's birthday (26th November 2007) and ticket prices is really a little more expensive than I would like, I probably won't. However, I am rather pleased to see an event like this being handle pretty well when it comes to tickets. Firstly they are being distributed by public ballot, which is likely to mean the real fans actually get the tickets. Harvey Goldsmith has also warned that anyone found selling their tickets on eBay will have them cancelled. It seems the promoters have thought about this with a little more care than some other concerts, where the tickets have sold out in seconds and largely to touts in the know, large corporations and those lucky enough to get through on the phones.

I would love to see the band, as I never got to see them back in the 70s. I only started going to gigs 8 months after John's death. Oddly enough the only member of the band I have ever met is John Bonham! But that's another story. A friend who was a few years older than me, got to see them at Knebworth in 1979 and recalled an amazing gig. One thing that did cross my mind about the forthcoming show is that they are being supported by several other acts. This is likely to mean you're only going to get about 60-90 minutes worth of Zep. For many who have never seen them this will be cherished, but back in their hey days, it wasn't uncommon for them to do nearly 3 hour sets.

For those of us that can't get to see the event, I'm really hoping it gets filmed and released in its entirety. If they ever do decide to tour though, I really hope that I can get to see them, as even all these years later, I'm pretty sure they are going to put on an amazing performance.

Living For The Weekend

Posted on 4th September 2007

On Saturday Nicole and I went to see Hard-Fi at The Irish Centre in Digbeth, Birmingham. Except it's now "The Irish Club" and thus confusing everybody, especially Brummies it would seem on some of the forums. It's been a while since I've been to the venue, and it was certainly one I always enjoyed attending. In fact I've seen some fantastic gigs by Melissa Etheridge, IQ, Indigo Girls and Ghost Dance among many others over the years, and Hard-Fi have only added to the list.

The gig was a high octane blast from start to finish. Opening with the new single, Surburban Nights, they gave us a tour of both albums before ending with Living For The Weekend some 90 minutes later. They demand a lot of audience participation throughout the gig and got it every time. In fact I was surprised to see such enthusiasm for even the newer songs that were being officially released until Monday. They are the kind of band that are hard to resist in my opinion. They have some great songs that you can't help but bounce to.

One thing that did surprise me was the rough age of the audience. I had expected most to be around the early to mid 20s, but I would have said the majority were around 30. The band themselves are all around the 30 mark, so perhaps it shouldn't be surprising, but I had expected there to much more of a younger following. It was a very mixed audience though, both in terms of age and sex, which made for a much less intensive and aggressive atmosphere than I've seen at indie/pop gigs before. Maybe the audience are just growing up to realise you can have fun and jump around without the need for "moshing".

If you can't get to see Hard-Fi on this short tour, I suspect they'll be back for more later in the year, but in the meantime check out their new album, Once Upon A Time In The West, and their first, Stars Of CCTV, if you haven't already heard it.

Speaking of the new album, apparently the album cover has caused some controversy due to it's minimal artwork. Personally I think the album cover, along with the single cover and the website are excellent. Shows they have a great sense of humour.

• Hard-Fi - The Irish Centre, Birmingham - 01/09/2007
  

Message In A Bottle

Posted on 4th September 2007

Recently someone posted to the Birmingham Perl Mongers mailing list trying to sell their tickets for The Police at the NIA. When I originally heard that The Police were getting back together I was delighted, as I never got around to seeing them in the early 80s. Then when they announced the tour I was eager to get tickets. Unsurprisingly everywhere sold out within minutes. Unless you were one of the privileged few, and I mean privilege in terms of your affluence, then you stood no chance.

What is wrong with ticket prices these days? The Police tickets were over £50 for the cheap seats and over £150 for good seats. The guy who posted on the list had been charged £144 for 2 tickets and these were in the upper tiers, not even on the floor! Seeing as fans bought them, there is obviously a demand, but it's one of the reasons why people are buying less music these days. Greedy promoters, record companies and many bands themselves are taking as much from their fans as they can get, at the expense of other smaller bands, who can barely get anyone to see them for £5.

The Police are not the only ones, every major band that has toured the UK playing the 10,000 seater venues in the last few years has started to charge exorbitant fees to see them. The cheapest ticket for the NEC Arena I've seen in the last few years has been over £30. Even Crowded House, who are playing later in the year are the same. When they last played a full UK tour, I saw several dates up and down the country, as the tickets were around £15. I won't be going to see them on this tour because it's just too much to pay. There are plenty of bands that I would love to see again, Peter Gabriel, Yes and others, but ticket prices are rarely priced to make me feel like I'll get value for money. I've seen several comments about the rip-off of ticket prices, but the rip-off doesn't end there.

The venues are also guilty of ripping off fans when they charge over £3 for a small bottle of Panda Cola, that can be bought in the corner store for about 40p and probably from the local cash'n'carry for about 5p a bottle. I can understand a slight markup, but when fans are being ripped off to the tune of several hundred percent for very basic food or drink, it's a joke. Especially when you are banned from taking food and drink into the venue.

Once upon a time I used to go to around 100-200 gigs a year, up and down the country. In my late teens and early twenties I wasn't on a big flash salary, in fact my first proper job was working in a warehouse. I could afford to go to the gigs as they were roughly the same price as an album at the time, about £10. Rather than buy an album, I'd buy a ticket to go and see a band. More often than not, I'd actually pay nearer £5 and see gigs in smaller venues such as Rock City in Nottingham, Princess Charlotte in Leicester, The Roadhouse in Manchester or The Marquee in London. Top name bands would tour those venues in preference to the big Arenas so they could actually see the fans.

I can understand why some bigger named bands would want to play the Arenas, as it means they get to play to more fans with fewer dates. Some bands don't actually like touring, so playing a UK tour of 7 dates is often preferred over one that might take 3-4 weeks. But why should that mean you now have to rip off fans and double, triple (or worse) your ticket prices. That £50 you're charging for a "cheap" seat, means that your fan is sitting so far back they need binoculars to see you, they rarely hear decent quality sound, they have to sit awkwardly on uncomfortable plastic seats and cannot get up and dance or jump about as they get told off by security staff and ejected from the venue if they refuse to sit down.

There are some bands who I greatly respect for taking the time to play venues where they can reach the fans. Nine Inch Nails could easily play Arenas in the UK, but they don't and only charge £22.50 a ticket, which considering their status, I feel is quite reasonable. They also give value for money, as in addition to their performances recently they were giving away USB memory sticks with a song from Year Zero on it at gigs. Prince has even started giving away albums at gigs. The Cure usually play the larger Arenas now, but the last few times I saw them at the NEC tickets were around £18. Considering they play for nearly 3 hours, that is most definitely value for money. I wonder how long The Police will be on stage for? If they play more than 90 minutes I would be very surprised. It's not been unheard of for major acts to play an hour (mostly solo artists from what I've heard) and head off to the hotel.

If you're going to charge stupid money for tickets, give people a reason to feel like you actually value their faith in you, give them a show that is out of this world, give them something to remember for years to come. I would love to see The Police, but I won't be seeing them on this tour. It's been reported that they are recording another album, so I suspect they may tour again. I hope that the next tour has more reasonable ticket prices and that the prices for this tour are only because they knew they could get away with it for reforming. I seemed to recall that The Eagles dropped their prices on tours after reforming, so it's a possibility.

In the meantime I'm looking forward to seeing Henry Rollins in January and Jello Biafra next month. Both are doing spoken word tours and both are charging less than £20 to see them :)